* originally published on Feature Shoot *
"I take pictures like a tourist, mostly to create nice images and souvenirs, but in a way, I feel that photography is a weak way to help you to remember. It creates images that become stronger than your souvenirs or memories and consumes them. With time, I find myself trying to recreate the memories starting from the picture, instead of including the picture inside the true memory." —Leo Berne
Paris-based photographer Leo Berne has an interesting theory about photographs: they are the simplest way to make a memory, yet they can’t really be trusted. Betty Blue is a series shot in his signature souvenir-making style but compiled together based on mood and color, essentially making them random in terms of place and time while disconnecting them from actual memories.
Berne works as a promo director for a collective called MEGAFORCE, and is represented by Clast.
* see more images *
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* originally published on Stache Magazine * Melanie Martinez started taking pictures when she was 13 years young. She is a self-taught p...
Evocative ‘Souvenir’ Photos Arranged by Mood and the Color Blue
* originally published on Feature Shoot *
"I take pictures like a tourist, mostly to create nice images and souvenirs, but in a way, I feel that photography is a weak way to help you to remember. It creates images that become stronger than your souvenirs or memories and consumes them. With time, I find myself trying to recreate the memories starting from the picture, instead of including the picture inside the true memory." —Leo Berne
Paris-based photographer Leo Berne has an interesting theory about photographs: they are the simplest way to make a memory, yet they can’t really be trusted. Betty Blue is a series shot in his signature souvenir-making style but compiled together based on mood and color, essentially making them random in terms of place and time while disconnecting them from actual memories.
Berne works as a promo director for a collective called MEGAFORCE, and is represented by Clast.
* see more images *
"I take pictures like a tourist, mostly to create nice images and souvenirs, but in a way, I feel that photography is a weak way to help you to remember. It creates images that become stronger than your souvenirs or memories and consumes them. With time, I find myself trying to recreate the memories starting from the picture, instead of including the picture inside the true memory." —Leo Berne
Paris-based photographer Leo Berne has an interesting theory about photographs: they are the simplest way to make a memory, yet they can’t really be trusted. Betty Blue is a series shot in his signature souvenir-making style but compiled together based on mood and color, essentially making them random in terms of place and time while disconnecting them from actual memories.
Berne works as a promo director for a collective called MEGAFORCE, and is represented by Clast.
* see more images *
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erin emocling
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Born in the mid-80s, Erin Herøin is a marveller of non-sequitur writing, cinematic films, & analogue photography.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
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Erin