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I recently talked to Teena Tan of Sabrina Clothing and I also got to try a few of her pieces. You may read the feature on When in Manila... -
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Murdered toes with calloused brows Calloused toes with murdered brows Threatening dildos amidst Hypertonic coitus A conniving flapper agains...
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Showing posts with label lost at e minor. Show all posts
Showing posts with label lost at e minor. Show all posts
Photography Is: a book by Mishka Henner
* originally published on Lost at E Minor *
What is photography without, uh, photographs? Nada? Nil? Null? Beyond images, photography is possibly something else because it is, after all, abstract. Mishka Henner creates a wordily picturesque elaboration of what Photography Is, a book in which he connotes and denotes, in thousands of ways, the most dexterous and universal form of photography. Included in Henner’s From Here On exhibit last year, this definitive compendium contains 189 pages of ‘chaotic and insightful’ phrases and snippets that define what photography really is.
What is photography without, uh, photographs? Nada? Nil? Null? Beyond images, photography is possibly something else because it is, after all, abstract. Mishka Henner creates a wordily picturesque elaboration of what Photography Is, a book in which he connotes and denotes, in thousands of ways, the most dexterous and universal form of photography. Included in Henner’s From Here On exhibit last year, this definitive compendium contains 189 pages of ‘chaotic and insightful’ phrases and snippets that define what photography really is.
Mixed Media Collages by Carina Santos
* originally published on Lost at E Minor *
Loosely based on Adrienne Rich’s For an Album, How Still, How Fast is a potpourri of collated pictures, Lomographs (or film photographs), and recollected nostalgia. In this series of mixed media collages, Carina Santos interweaves new stories out of tarnished imageries and their unnoticed details to recreate things, meanings, and feelings. In this series, Santos uncovers how (or why) ‘No one ever takes a photograph of something they want to forget.’ How Still, How Fast will be on display until July 14 at Blanc Peninsula Manila.
Loosely based on Adrienne Rich’s For an Album, How Still, How Fast is a potpourri of collated pictures, Lomographs (or film photographs), and recollected nostalgia. In this series of mixed media collages, Carina Santos interweaves new stories out of tarnished imageries and their unnoticed details to recreate things, meanings, and feelings. In this series, Santos uncovers how (or why) ‘No one ever takes a photograph of something they want to forget.’ How Still, How Fast will be on display until July 14 at Blanc Peninsula Manila.
Julo Cope’s 900 x 900 Digital Double Exposures
* originally published on Lost at E Minor *
Julo Cope integrates naked slices of cityscapes and captivating bits of nature into frame-worthy portraits. The results? A monochromatic mishmash of dramatic double exposures. In this colorless but stunning compilation, 900 x 900 dissects two different visual perspectives, all of which exudes a certain shade of elegant grey. This same series of square photographs was recently featured on Artists Wanted. Cope is a young photographer from the manic streets of Southern Manila.
Julo Cope integrates naked slices of cityscapes and captivating bits of nature into frame-worthy portraits. The results? A monochromatic mishmash of dramatic double exposures. In this colorless but stunning compilation, 900 x 900 dissects two different visual perspectives, all of which exudes a certain shade of elegant grey. This same series of square photographs was recently featured on Artists Wanted. Cope is a young photographer from the manic streets of Southern Manila.
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Born in the mid-80s, Erin Herøin is a marveller of non-sequitur writing, cinematic films, & analogue photography.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
