Beautiful distractions swaying beside her hips. Subsequently, she sways her arms, from side to side, like a damsel in a humming meadow. Her self-loathing is turning into a colourful stream of dreams. She's elusive and her words sting, illusive. She's penetrable and her vision, still and imperturbable.
She dwells in pessimism and in turn, pessimism is what keeps her cool. Prone to erring. Likely to damnation. She writes and writhes in a black hole of infinite episodes, of saturnine plots, of contrasting endings. She bears in her mind a mental photograph of her vivid reverie. Faux mustaches, paper tiaras, and pistol toys - these are a few of her savourite shrills.
Beautiful destructions whipping throughout her insides. Lines of luminous love perpetuating from her hypothalamic parts. Back and forth and even to and fro, it shall always be she and him. Continuum. Ad infinitum. In other words, constantly.
Everything is in random, words of adoration. And aberration. Everything is in motion, pictures of hallucination. With palpitation. Everything has a distraction. Everything might be a destruction.
She writes and then writhes. She sees and then sinks.
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* originally published on Stache Magazine * Melanie Martinez started taking pictures when she was 13 years young. She is a self-taught p...
Generalizing the Mesmerizing
Beautiful distractions swaying beside her hips. Subsequently, she sways her arms, from side to side, like a damsel in a humming meadow. Her self-loathing is turning into a colourful stream of dreams. She's elusive and her words sting, illusive. She's penetrable and her vision, still and imperturbable.
She dwells in pessimism and in turn, pessimism is what keeps her cool. Prone to erring. Likely to damnation. She writes and writhes in a black hole of infinite episodes, of saturnine plots, of contrasting endings. She bears in her mind a mental photograph of her vivid reverie. Faux mustaches, paper tiaras, and pistol toys - these are a few of her savourite shrills.
Beautiful destructions whipping throughout her insides. Lines of luminous love perpetuating from her hypothalamic parts. Back and forth and even to and fro, it shall always be she and him. Continuum. Ad infinitum. In other words, constantly.
Everything is in random, words of adoration. And aberration. Everything is in motion, pictures of hallucination. With palpitation. Everything has a distraction. Everything might be a destruction.
She writes and then writhes. She sees and then sinks.
She dwells in pessimism and in turn, pessimism is what keeps her cool. Prone to erring. Likely to damnation. She writes and writhes in a black hole of infinite episodes, of saturnine plots, of contrasting endings. She bears in her mind a mental photograph of her vivid reverie. Faux mustaches, paper tiaras, and pistol toys - these are a few of her savourite shrills.
Beautiful destructions whipping throughout her insides. Lines of luminous love perpetuating from her hypothalamic parts. Back and forth and even to and fro, it shall always be she and him. Continuum. Ad infinitum. In other words, constantly.
Everything is in random, words of adoration. And aberration. Everything is in motion, pictures of hallucination. With palpitation. Everything has a distraction. Everything might be a destruction.
She writes and then writhes. She sees and then sinks.
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erin emocling
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Born in the mid-80s, Erin Herøin is a marveller of non-sequitur writing, cinematic films, & analogue photography.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
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Erin