His breathing next to hers, tantamount to her completeness.
She sighs in disbelief: forever after is theirs to devour.
She's lost for words,
lost in their steaming black hole of love and lust.
She seeks for similes;
he reeks for rimes.
Her touching close to his, paramount to his wholeness.
He grunts in relief: morrow, evermore is theirs to scour.
He's lost for words,
lost in their steaming black hole of love and lust.
She seeks.
He reeks.
He doesn't trip.
She doesn't flip.
While he was sleeping, she was dreaming.
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Reflective, and complementing. As genuine ardor should be. The leit motif like a melody sensual and suave. Exquisite and explicit. Mutualism of hearts.
ʎonqʎʇıɔ
said...
March 24, 2010 at 2:39 AM
the last line reminds me of paula cole's where have all the cowboys gone. real nice, basterda.
VICTOR
said...
March 24, 2010 at 4:24 AM
I guess forever after is terrifying, but not within the bounds of requited love (or the fantasy of requited love).
Eяin Heяoin
said...
March 26, 2010 at 8:57 AM
@Red: Thanks! :)
@Nyl: I don't know any Paula Cole songs but hey, thanks for telling me. :)
@Victor: Hee, righty right! :)
@Nyl: I don't know any Paula Cole songs but hey, thanks for telling me. :)
@Victor: Hee, righty right! :)
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* originally published on Stache Magazine * Melanie Martinez started taking pictures when she was 13 years young. She is a self-taught p...
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His breathing next to hers, tantamount to her completeness.
She sighs in disbelief: forever after is theirs to devour.
She's lost for words,
lost in their steaming black hole of love and lust.
She seeks for similes;
he reeks for rimes.
Her touching close to his, paramount to his wholeness.
He grunts in relief: morrow, evermore is theirs to scour.
He's lost for words,
lost in their steaming black hole of love and lust.
She seeks.
He reeks.
He doesn't trip.
She doesn't flip.
While he was sleeping, she was dreaming.
She sighs in disbelief: forever after is theirs to devour.
She's lost for words,
lost in their steaming black hole of love and lust.
She seeks for similes;
he reeks for rimes.
Her touching close to his, paramount to his wholeness.
He grunts in relief: morrow, evermore is theirs to scour.
He's lost for words,
lost in their steaming black hole of love and lust.
She seeks.
He reeks.
He doesn't trip.
She doesn't flip.
While he was sleeping, she was dreaming.
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Born in the mid-80s, Erin Herøin is a marveller of non-sequitur writing, cinematic films, & analogue photography.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
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Erin
Reflective, and complementing. As genuine ardor should be. The leit motif like a melody sensual and suave. Exquisite and explicit. Mutualism of hearts.
ReplyDeletethe last line reminds me of paula cole's where have all the cowboys gone. real nice, basterda.
ReplyDeleteI guess forever after is terrifying, but not within the bounds of requited love (or the fantasy of requited love).
ReplyDelete@Red: Thanks! :)
ReplyDelete@Nyl: I don't know any Paula Cole songs but hey, thanks for telling me. :)
@Victor: Hee, righty right! :)