I just threw away 2 big boxes of my old things - stuff that meant something to me a few years ago but are nothing now but garbage. There were old papers from when I was still studying and staying at a dormitory, empty containers of perfumes and presents, tarnished pieces of fancy jewelries, useless receipts, an ostrich's egg shell, a lot of cut-outs and photographs - all but tiny memories that I'm very much willing to let go.
It felt good.
Thinking about it, I never got to collect a lot of material things, especially expensive ones, but it doesn't bother me that much. I used to have a tower of DVDs but after the flood swept away the things I used to treasure (including most of my books and cameras), I just want to get rid of anything that was left - just to clear out my surroundings. And probably because most of those things remind me of the past.
I just want to move forward.
But no matter how I try escaping the past, I always find myself in the same path. A couple of days ago, I drowned myself in misery as I re-watched both Chungking Express and Eternal Sunshine of the Spotless Mind, only a few hours apart. Films appear lovelier when seen the nth time around. I start noticing the littlest details, details I never thought of seeing the last time I saw the picture.
Sometimes, backgrounds are more powerful than foregrounds. Like flickering lights, accidental noises, or occasional blurs and whirs. Every little happenstance seemed to have a role of its own.
Some lines remain (or even surpass) as striking as the first time I've heard or read them.
"Password: Love You for 10,000 Years"
"I could die right now. I'm just happy. I've never felt that before. I'm exactly where I want to be."
At the end of each film, you just lie on your bed, restless, and hopeless. And hopeless. And h o p e l e s s . . .
Contact Form
1 comments
citybuoy
said...
May 13, 2013 at 3:40 PM
Grabe din naman kasi yung choice of films mo! lol I always believe that movies are like medicine and if you have a specific combination, nakamamatay!
Now i'm off to rewatch chunking. between this and your facebook posts, parang i want to trigger that emotion again. :)
Now i'm off to rewatch chunking. between this and your facebook posts, parang i want to trigger that emotion again. :)
Popular Posts
-
* originally published on Stache Magazine * Melanie Martinez started taking pictures when she was 13 years young. She is a self-taught p...
I just threw away 2 big boxes of my old things - stuff that meant something to me a few years ago but are nothing now but garbage. There were old papers from when I was still studying and staying at a dormitory, empty containers of perfumes and presents, tarnished pieces of fancy jewelries, useless receipts, an ostrich's egg shell, a lot of cut-outs and photographs - all but tiny memories that I'm very much willing to let go.
It felt good.
Thinking about it, I never got to collect a lot of material things, especially expensive ones, but it doesn't bother me that much. I used to have a tower of DVDs but after the flood swept away the things I used to treasure (including most of my books and cameras), I just want to get rid of anything that was left - just to clear out my surroundings. And probably because most of those things remind me of the past.
I just want to move forward.
But no matter how I try escaping the past, I always find myself in the same path. A couple of days ago, I drowned myself in misery as I re-watched both Chungking Express and Eternal Sunshine of the Spotless Mind, only a few hours apart. Films appear lovelier when seen the nth time around. I start noticing the littlest details, details I never thought of seeing the last time I saw the picture.
Sometimes, backgrounds are more powerful than foregrounds. Like flickering lights, accidental noises, or occasional blurs and whirs. Every little happenstance seemed to have a role of its own.
Some lines remain (or even surpass) as striking as the first time I've heard or read them.
"Password: Love You for 10,000 Years"
"I could die right now. I'm just happy. I've never felt that before. I'm exactly where I want to be."
At the end of each film, you just lie on your bed, restless, and hopeless. And hopeless. And h o p e l e s s . . .
It felt good.
Thinking about it, I never got to collect a lot of material things, especially expensive ones, but it doesn't bother me that much. I used to have a tower of DVDs but after the flood swept away the things I used to treasure (including most of my books and cameras), I just want to get rid of anything that was left - just to clear out my surroundings. And probably because most of those things remind me of the past.
I just want to move forward.
But no matter how I try escaping the past, I always find myself in the same path. A couple of days ago, I drowned myself in misery as I re-watched both Chungking Express and Eternal Sunshine of the Spotless Mind, only a few hours apart. Films appear lovelier when seen the nth time around. I start noticing the littlest details, details I never thought of seeing the last time I saw the picture.
Sometimes, backgrounds are more powerful than foregrounds. Like flickering lights, accidental noises, or occasional blurs and whirs. Every little happenstance seemed to have a role of its own.
Some lines remain (or even surpass) as striking as the first time I've heard or read them.
"Password: Love You for 10,000 Years"
"I could die right now. I'm just happy. I've never felt that before. I'm exactly where I want to be."
At the end of each film, you just lie on your bed, restless, and hopeless. And hopeless. And h o p e l e s s . . .
Subscribe to:
Post Comments (Atom)
AltMNL, Feature Shoot, Lomography, Lost at E Minor, Manila Bulletin, Network Awesome, New Slang, Parallel Planets, Philippine Daily Inquirer, Shooting Film, Stache Magazine, Status Magazine, The Juvenilia, The Philippine Star, Vera Files, We Come of Age, Xplotar, Yahoo Philippines » view all «
Total Pageviews
Category List
- 100ISO
- 110
- 2008
- 2009
- 200ISO
- 35mm
- 400ISO
- Agfa Precisa
- Agfa Vista
- Blackbird Fly
- camera cameos
- digital
- feature shoot
- film
- folie a plusieurs
- Fujichrome Sensia
- Fujicolor
- Fujifilm Superia
- illustrations
- Kodachrome Elitechrome
- lomography
- lost at e minor
- manila bulletin
- Micro Holga
- Mitsubishi Super MX. Komax film camera
- mixes
- monochromanila
- network awesome
- new slang
- paranoirexia
- personal
- philippine daily inquirer
- photographs
- proems
- projects
- propaganda
- rolls
- self
- Seoul
- series
- South Korea
- stache magazine
- status magazine
- Superheadz
- tattoos
- the juvenilia
- the philippine star
- vera files
- we come of age
- when in manila
- xplotar
- yahoo philippines
Glorious Goodies
h
h
erin emocling
Contact
Born in the mid-80s, Erin Herøin is a marveller of non-sequitur writing, cinematic films, & analogue photography.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
Before, she used to be an aspiring physician; now, she is a newbie bassist who has 5.50/5.00 eyes & black tattoos on her right arm.
She's the former chief editor of Lomography's international magazine, the founder of Whilst We Wait, & the author of Paranoirexia.
Today, she curates and directs Parallel Planets, an online publication on creatives worldwide.
She dwells in the Eastern border of Manila with her pet pussies.
About
Hello there!
Sorry, but this site is currently unavailable.
Sorry, but this site is currently unavailable.
Erin
Grabe din naman kasi yung choice of films mo! lol I always believe that movies are like medicine and if you have a specific combination, nakamamatay!
ReplyDeleteNow i'm off to rewatch chunking. between this and your facebook posts, parang i want to trigger that emotion again. :)