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1

I like taking baths when it's past midnight. Everyone else is asleep. And (I could only / only I could) hear the trickling of the bathroom waters. I like how the coldness, of the night and of the water, goes down my spine, and how I am confined in a small, tiled space, as I soap all the doldrums away. I, suddenly, am reminded by the occasional brushing of our skin. Our arms, specifically. I sorely miss you. I ache.

Alone in my bed, I hear the ticking of my clock and it soothes me. I like how time waits for no one. But I loathe how everything has its ending. It's almost morning; I can see the light transitioned by the moon and the sun. But it's too early to sleep. I have had too much rest.

2

I find it difficult to write when, at the same time, I'm listening to music. I am torn between putting my feelings into words and getting my words into feelings. I enter into a trance.

I've been losing weight. It's not that I need to but, maybe, I'm already done with stress-eating. It worries me, sometimes. Because the last time that I lost my appetite was when I was broken and bruised of someone who, not surprisingly, doesn't matter in my life anymore. See, I told you everything (has an end / has to end).

I'm not broken, as of the moment. Nor bruised.

3

Like sentences in a book, the chapters of our lives have full stops, sometimes ellipses, every now and then.

3 ½

We are far from being old and truth be told, from the time you first saved me from rut, I just want us to hold.

...

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Unknown
* originally published on When in Manila *

When in Manila, make yourself an environmental advocate. Learn how your kids can appreciate our precious seas through being artsy and creative!

Out of the Box Art Project: For the Creative Youth

Out of the Box Art Project is formed by a group of friends who are bonded by a shared interest for music and the arts. The team aims to set off a creatively different kind of art scene through organizing regular visual-art related projects, which will provide refreshing avenues for the youth to liberally share their talents and interests.

Their very first art fair, ImaginOcean, is an act of art and environmental activism in a fun and youthful way. According to Out of the Box Art Project’s director, Jel Suarez, ImaginOcean aims to support marine life awareness through art appreciation and expression, provide an avenue for the youth to showcase their talents and interest with visual-arts, and promote awareness and involvement of the youth to marine life protection with Save Philippine Seas.

On October 13, the creative youth can make use of art as an expression of their love for the sea through an on-the-spot painting contest, which will take place at Moonleaf Tea Shop in Maginhawa, Quezon City. ImaginOcean is open to two groups of participants: Group A for 7-11 year olds and Group B for 12-16 year-olds. Registration fee is Php500 only. Find out how you can register below.

Your little marine savers’ works of art will be judged by visual artist Zean Cabangis, Moonleaf Tea Shop marketing Director Thysz Estrada, and representatives from Save Philippine Seas. Winners will get prizes from Punchdrunk Panda and Moonleaf Tea Shop. During the event, there will be a short talk by the head of Save Philippine Seas, Anna Oposa. There will also be live musical sets by Don’t Bogart the Can…Man!, Hannah+Gabi, Outerhope, RomCom, and Slow Hello.

When in Manila ties up with this earth-friendly project and we encourage you to delve into the ocean of possibilities on how each of us can contribute to being aware with our marine life and preserving it, even through the humblest ways.

ImaginOcean: an on-the-spot painting contest

Out of the Box Art Project is composed of Jel Suarez, Shinji Manlangit, Fatima Bustinera, Jayme Ancla, Mij Bautista, Arriane Chuidian, and Ares Loresto.

Total comment

Author

Unknown
* originally published on When in Manila *

When in Manila teams up with the biggest art show of the year! Find out about all the awesomeness that shall happen a week from now!



In the modern realm of arts and design, Manila has an abundance of creative young individuals. To bask in this glory, more than 70 local artists merge skillful forces to showcase their masterpieces on this year’s most anticipated art event, the Bloom Arts Festival!

On September 29, rain or shine, all roads will lead to Cubao X, the haven and home of Manila’s art and design. Bloom Arts will feature illustration, painting, and photography by artists like JP Cuison, Zeus Bascon, Tokwa Penaflorida, Soleil Ignacio, Apol Sta. Maria, Ge Mapa, Rob Cham, Carina Santos, Gabby Cantero, Shaira Luna, Dan Matutina, Everywhere We Shoot, IdKids, and Your Evil Twin, to name a few.

But wait, there’s a whole lot more! Aside from artists, designers, and photographers, there will also be motion video presentations by Johann Tanhueco, Flux Design Labs, Acid House Post, and many more. Of course, there will be live music so you get to see performances by local artists like Twin Lobster, SINYMA, Similar Objects, Gentle Universe, Earthmover, Diego Mapa, and Chie Castaneda. You will also get to enjoy stuff from Plastic Octopus, Moonleaf Tea Shop, Bookay-Ukay, and many others.



Another cool thing about this event is that it’s totally for free! Without needing to spare any bucks at the entrance, you get to see amazing works by the country’s top-notch artists, you get to watch free gigs and score goodies, and best of all, you get to appreciate the local art scene with your friends. Don’t think twice, then. When in Manila, delve into its creative world. And for the love of art, let us all go!

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Author

Unknown
FUCK IT. I only want to be with you. I want to spend the rest of my life with you. All my days with you. And all the nights. Learning new things with you. Odd things. Things I never thought I could ever learn. I want to wake up every morning beside you and it's not like any other girl's dream. Things between you and I are different. WE ARE DIFFERENT. But even if I turn the world upside down, inside out, it's you who I really want. You and your selfish ways. You and your sarcastic ways. You and your everlasting thoughts on things that I never really thought of before. WHAT THE FUCK! I want you to share the rest of your world, the rest of your time, only with me. I want us to build our future. I WANT US TO BE TOGETHER FOREVER. Even if it's stupid to say. Even if it's ALL STUPID FOR YOU that I am saying all these things. You have fucking captured me. You did not only steal my heart. You got the best and the worst of me. And I want you all of the time. Fuck neediness. FUCK EVERYTHING. It is you who I want to fuck, physically, intellectually, and most especially, emotionally! I'm not stopping. I will only stop if the beating of my heart stops. I DON'T FUCKING CARE if all of these is ridiculous to you. I fucking love you, fucking love you, man. I feel like a dweeb, a twerp, a lowly piece of shit  for saying all of these but it is that moment: when you know it, YOU KNOW IT. That's that. Nothing more, nothing less. NOTHING ELSE. My feelings are so suppressed, my dear, so allow me to tell of these shit here. No one cares. I HOPE YOU CARE. Fuck it. I love you. I love all the things that you do. Even the things I hate about you, they reciprocate on their own and they make me love you even more. IT'S STUPID. I am stupid. At times, you make me feel like shit, sometimes, you make me feel like I'm the luckiest girl in the world. Everything compensates. Everything turns around. AND AT THE END OF EVERY FUCKING DAY, IT IS YOU WHOM I ADORE. FUCKING WHY! I don't know why! I just know it. I just know it. We've only been together for more than a year but, honestly, it all seems that it's a lifetime already. A lifetime. But it isn't enough for me - not just yet. AND FUCK IT. I can't believe I want to make myself believe that marriages and all that kind of shit is real. Because now, even if we're not yet married, I feel like we're as one already. We are. I cry sometimes, no, most of the time, because most of the feelings that you make me feel are real. And I feel helpless. I surrender. Because you've got me. You shouldn't know all of these things. But then again, I can't express them to you. The more I try to be careful, the more careless I become. How hard is it to say that I adore you each fucking day? How hard it is to let you know that you're everything that I've ever wanted? Fucking difficult, I tell you. But everything is worth it. Because you are my truest love. You make me grow. You make me everything that I thought I couldn't ever be. And you make me WHOLE. I LOVE YOU. And that's all you need to know...

Total comment

Author

Unknown
* originally published on Feature Shoot *

Ellen Rogers is a fashion photographer and filmmaker from London. Aberrant Necropolis, a two-year collection of her photographs, is her first book. We interviewed her about her inspirations and collaborations with partner, Prizme.

Your style exudes with elegance, macabre, and style. How do you come up with new concepts and ideas for your next shoot?
‘My boyfriend Prizme and I are like sponges for information, constantly thirsty. We are hopelessly looking for something abstract, vaporous, mostly emotive, and unfinished.

‘In my journey, things have lodged themselves in me, acting like thorns, I pull them out, and I examine them. These thorns are the next ideas, they are usually tantalizing to us in some way… something promising.’

All of your muses are haunting in a lovely way. What certain characteristics do you look for in a muse?
‘I think a muse for me should have a certain attitude. She is willing but chic, not annoying at all. Not too needy, aloof but intelligent, and a little seductive. I’m a cat person, you see.’

Your black and white photographs, even if they’re not enamored with colours, still radiate beauty and timelessness. How does your monochrome photographs differ from the colored ones? When do you know if you want to use color or not?
‘That’s very kind of you to say. I don’t intend to process why I pick certain images anymore, those images just jump out at me now. I know it probably has a lot to do with texture (whether or not they are worth colouring). I can mostly envisage them before they are finished so I know what level of boldness to look for or not.’

You are an advocate of analogue photography. Please share with us your fascination with film.
‘I’m not great with words and trying to be succinct is my short fall but to try, on an abstract level, I like to gain and lose control all at once. I like to know enough about the medium to control it and know enough too to let it talk and make its own mistakes, mistakes that are organic and earthly. I would imagine that to recreate these purposefully, is a flat outcome. However, I don’t know as I have never really tried.’

You always have projects with Prizme, your boyfriend. How is it like to work with someone whom you adore and, at the same time, share similar eccentricity with?
‘I like that you chose the word eccentricity. I have not ever met anyone like Prizme (Tobias) or am I ever likely to meet anyone like him. I suppose to sound corny: we are literally other halves to each other, so working together is as natural as being together.

‘We are both anti-socials at best. We met through mutual friends who struggled to get either of us out of our houses to meet other people. So when we met one another it felt like at last we had met someone who understood entirely, our drive and blind determination, to be removed from distractions and work solely on artwork at all costs as though our lives depended on it. It can be intense but it’s imperative for our sanity.’

What (or who) inspires and influences you?
‘Prizme, Bataille, Jung, Rimbald, Maxine (current muse) and many more.’

What projects of yours should we look forward to?
‘I will be making more films, certainly. I have something very dear to my heart that I wish to work on with a very special muse. Film is something very difficult for me so its challenge draws me closer every day.

‘I also have a hugely exciting and ambitious project coming soon with Prizme. He will be taking a leading role and I will be his director as it were. I think it will be on kickstarter at the end of the year.’

Total comment

Author

Unknown
We get attached to material things because they are what's tangible and visible. Whether we like it or not, we see someone else's face as we sift through the pages of an old book. We read the same set of words and they remind us something, or someone, whether we like it or not. Whether we intend to or not, we hear someone else's voice as we tinker with the lid of a cold coffee cup. We taste the same tinge of creme and it reminds us something, or someone, whether we intend to or not.

We hold on to the memories that we like, we choose them, and we keep them, intentionally or unintentionally, through the things that remind us of them.

And because all material things are ephemeral, we must find ways to keep those memories intact. We let go of what's surreal yet temporary and we settle with what's abstract yet real. These are the things that matter the most because they are what's impermeable and indissoluble.

I'm all sorts of sentimental, you see, but
I'm pretty sure I'll go permanent with you.

Total comment

Author

Unknown
We went through our film photographs since the time we started seeing each other. I still couldn't believe that more than a year has passed already. We've had so many memories, good and bad, that go along with those pictures. More than a year is just more than a year but everything seems life-long already. What we have is far from forever but you just know it when you know it.

"Always look at the bigger picture." This is one of the countless life metaphors I've learned from him. No matter how mindful (and at times, mindless) we are with our actions and words, we still have our differences, and we clash. We argue. We fight, sometimes, about the most nonsensical things. But we need not crash. We go through unnecessary discussions, throw awful words at each other, until it comes to a point that we calm down and we just keep quiet. Because at the end of every argument, no matter how much we differ, we should look at things that matter the most: the bigger picture. We have each other and that's what really matters.


What else could I say? Our love's the bigger picture.

Total comment

Author

Unknown
Every now and then, good people (who are also gifted with drawing skills) become extra good and take time to illustrate me. If I could return the favor, I would've done so but I really don't possess the genes for drawing (maybe in the next lifetime). Here's a collated bunch of my portraits illustrated into artworks by various artists and friends.


by Roachy (Ink vs. Paper), 2013

by Bijan Gorospe, 2013

by Rob Cham, 2012

by Bijan Gorospe, 2012

by Bijan Gorospe, 2011

by Bijan Gorospe, 2011

by Denver Garza, 2010

by Jimmy Hilaro, 2010

by Jane Rojas-Fortuna, 2010

by David Dell'oso, 2010

by Larry Cayco, 2010

by Monica Cope, 2010

by Chikay Jamorabon, 2010

by Maine Manalansan, 2010

by Lena Johnston, 2009

by Ayan Bundoc, 2009

by Roachy, 2009

Total comment

Author

Unknown

1

I like taking baths when it's past midnight. Everyone else is asleep. And (I could only / only I could) hear the trickling of the bathroom waters. I like how the coldness, of the night and of the water, goes down my spine, and how I am confined in a small, tiled space, as I soap all the doldrums away. I, suddenly, am reminded by the occasional brushing of our skin. Our arms, specifically. I sorely miss you. I ache.

Alone in my bed, I hear the ticking of my clock and it soothes me. I like how time waits for no one. But I loathe how everything has its ending. It's almost morning; I can see the light transitioned by the moon and the sun. But it's too early to sleep. I have had too much rest.

2

I find it difficult to write when, at the same time, I'm listening to music. I am torn between putting my feelings into words and getting my words into feelings. I enter into a trance.

I've been losing weight. It's not that I need to but, maybe, I'm already done with stress-eating. It worries me, sometimes. Because the last time that I lost my appetite was when I was broken and bruised of someone who, not surprisingly, doesn't matter in my life anymore. See, I told you everything (has an end / has to end).

I'm not broken, as of the moment. Nor bruised.

3

Like sentences in a book, the chapters of our lives have full stops, sometimes ellipses, every now and then.

3 ½

We are far from being old and truth be told, from the time you first saved me from rut, I just want us to hold.

...

ImaginOcean by Out of the Box Art Project and Save Philippine Seas

* originally published on When in Manila *

When in Manila, make yourself an environmental advocate. Learn how your kids can appreciate our precious seas through being artsy and creative!

Out of the Box Art Project: For the Creative Youth

Out of the Box Art Project is formed by a group of friends who are bonded by a shared interest for music and the arts. The team aims to set off a creatively different kind of art scene through organizing regular visual-art related projects, which will provide refreshing avenues for the youth to liberally share their talents and interests.

Their very first art fair, ImaginOcean, is an act of art and environmental activism in a fun and youthful way. According to Out of the Box Art Project’s director, Jel Suarez, ImaginOcean aims to support marine life awareness through art appreciation and expression, provide an avenue for the youth to showcase their talents and interest with visual-arts, and promote awareness and involvement of the youth to marine life protection with Save Philippine Seas.

On October 13, the creative youth can make use of art as an expression of their love for the sea through an on-the-spot painting contest, which will take place at Moonleaf Tea Shop in Maginhawa, Quezon City. ImaginOcean is open to two groups of participants: Group A for 7-11 year olds and Group B for 12-16 year-olds. Registration fee is Php500 only. Find out how you can register below.

Your little marine savers’ works of art will be judged by visual artist Zean Cabangis, Moonleaf Tea Shop marketing Director Thysz Estrada, and representatives from Save Philippine Seas. Winners will get prizes from Punchdrunk Panda and Moonleaf Tea Shop. During the event, there will be a short talk by the head of Save Philippine Seas, Anna Oposa. There will also be live musical sets by Don’t Bogart the Can…Man!, Hannah+Gabi, Outerhope, RomCom, and Slow Hello.

When in Manila ties up with this earth-friendly project and we encourage you to delve into the ocean of possibilities on how each of us can contribute to being aware with our marine life and preserving it, even through the humblest ways.

ImaginOcean: an on-the-spot painting contest

Out of the Box Art Project is composed of Jel Suarez, Shinji Manlangit, Fatima Bustinera, Jayme Ancla, Mij Bautista, Arriane Chuidian, and Ares Loresto.

Bloom Arts Festival: Celebrating Creativity in Cubao X

* originally published on When in Manila *

When in Manila teams up with the biggest art show of the year! Find out about all the awesomeness that shall happen a week from now!



In the modern realm of arts and design, Manila has an abundance of creative young individuals. To bask in this glory, more than 70 local artists merge skillful forces to showcase their masterpieces on this year’s most anticipated art event, the Bloom Arts Festival!

On September 29, rain or shine, all roads will lead to Cubao X, the haven and home of Manila’s art and design. Bloom Arts will feature illustration, painting, and photography by artists like JP Cuison, Zeus Bascon, Tokwa Penaflorida, Soleil Ignacio, Apol Sta. Maria, Ge Mapa, Rob Cham, Carina Santos, Gabby Cantero, Shaira Luna, Dan Matutina, Everywhere We Shoot, IdKids, and Your Evil Twin, to name a few.

But wait, there’s a whole lot more! Aside from artists, designers, and photographers, there will also be motion video presentations by Johann Tanhueco, Flux Design Labs, Acid House Post, and many more. Of course, there will be live music so you get to see performances by local artists like Twin Lobster, SINYMA, Similar Objects, Gentle Universe, Earthmover, Diego Mapa, and Chie Castaneda. You will also get to enjoy stuff from Plastic Octopus, Moonleaf Tea Shop, Bookay-Ukay, and many others.



Another cool thing about this event is that it’s totally for free! Without needing to spare any bucks at the entrance, you get to see amazing works by the country’s top-notch artists, you get to watch free gigs and score goodies, and best of all, you get to appreciate the local art scene with your friends. Don’t think twice, then. When in Manila, delve into its creative world. And for the love of art, let us all go!

FUCK IT. I only want to be with you. I want to spend the rest of my life with you. All my days with you. And all the nights. Learning new things with you. Odd things. Things I never thought I could ever learn. I want to wake up every morning beside you and it's not like any other girl's dream. Things between you and I are different. WE ARE DIFFERENT. But even if I turn the world upside down, inside out, it's you who I really want. You and your selfish ways. You and your sarcastic ways. You and your everlasting thoughts on things that I never really thought of before. WHAT THE FUCK! I want you to share the rest of your world, the rest of your time, only with me. I want us to build our future. I WANT US TO BE TOGETHER FOREVER. Even if it's stupid to say. Even if it's ALL STUPID FOR YOU that I am saying all these things. You have fucking captured me. You did not only steal my heart. You got the best and the worst of me. And I want you all of the time. Fuck neediness. FUCK EVERYTHING. It is you who I want to fuck, physically, intellectually, and most especially, emotionally! I'm not stopping. I will only stop if the beating of my heart stops. I DON'T FUCKING CARE if all of these is ridiculous to you. I fucking love you, fucking love you, man. I feel like a dweeb, a twerp, a lowly piece of shit  for saying all of these but it is that moment: when you know it, YOU KNOW IT. That's that. Nothing more, nothing less. NOTHING ELSE. My feelings are so suppressed, my dear, so allow me to tell of these shit here. No one cares. I HOPE YOU CARE. Fuck it. I love you. I love all the things that you do. Even the things I hate about you, they reciprocate on their own and they make me love you even more. IT'S STUPID. I am stupid. At times, you make me feel like shit, sometimes, you make me feel like I'm the luckiest girl in the world. Everything compensates. Everything turns around. AND AT THE END OF EVERY FUCKING DAY, IT IS YOU WHOM I ADORE. FUCKING WHY! I don't know why! I just know it. I just know it. We've only been together for more than a year but, honestly, it all seems that it's a lifetime already. A lifetime. But it isn't enough for me - not just yet. AND FUCK IT. I can't believe I want to make myself believe that marriages and all that kind of shit is real. Because now, even if we're not yet married, I feel like we're as one already. We are. I cry sometimes, no, most of the time, because most of the feelings that you make me feel are real. And I feel helpless. I surrender. Because you've got me. You shouldn't know all of these things. But then again, I can't express them to you. The more I try to be careful, the more careless I become. How hard is it to say that I adore you each fucking day? How hard it is to let you know that you're everything that I've ever wanted? Fucking difficult, I tell you. But everything is worth it. Because you are my truest love. You make me grow. You make me everything that I thought I couldn't ever be. And you make me WHOLE. I LOVE YOU. And that's all you need to know...

The Spellbinding Fashion Photographs of Ellen Rogers

* originally published on Feature Shoot *

Ellen Rogers is a fashion photographer and filmmaker from London. Aberrant Necropolis, a two-year collection of her photographs, is her first book. We interviewed her about her inspirations and collaborations with partner, Prizme.

Your style exudes with elegance, macabre, and style. How do you come up with new concepts and ideas for your next shoot?
‘My boyfriend Prizme and I are like sponges for information, constantly thirsty. We are hopelessly looking for something abstract, vaporous, mostly emotive, and unfinished.

‘In my journey, things have lodged themselves in me, acting like thorns, I pull them out, and I examine them. These thorns are the next ideas, they are usually tantalizing to us in some way… something promising.’

All of your muses are haunting in a lovely way. What certain characteristics do you look for in a muse?
‘I think a muse for me should have a certain attitude. She is willing but chic, not annoying at all. Not too needy, aloof but intelligent, and a little seductive. I’m a cat person, you see.’

Your black and white photographs, even if they’re not enamored with colours, still radiate beauty and timelessness. How does your monochrome photographs differ from the colored ones? When do you know if you want to use color or not?
‘That’s very kind of you to say. I don’t intend to process why I pick certain images anymore, those images just jump out at me now. I know it probably has a lot to do with texture (whether or not they are worth colouring). I can mostly envisage them before they are finished so I know what level of boldness to look for or not.’

You are an advocate of analogue photography. Please share with us your fascination with film.
‘I’m not great with words and trying to be succinct is my short fall but to try, on an abstract level, I like to gain and lose control all at once. I like to know enough about the medium to control it and know enough too to let it talk and make its own mistakes, mistakes that are organic and earthly. I would imagine that to recreate these purposefully, is a flat outcome. However, I don’t know as I have never really tried.’

You always have projects with Prizme, your boyfriend. How is it like to work with someone whom you adore and, at the same time, share similar eccentricity with?
‘I like that you chose the word eccentricity. I have not ever met anyone like Prizme (Tobias) or am I ever likely to meet anyone like him. I suppose to sound corny: we are literally other halves to each other, so working together is as natural as being together.

‘We are both anti-socials at best. We met through mutual friends who struggled to get either of us out of our houses to meet other people. So when we met one another it felt like at last we had met someone who understood entirely, our drive and blind determination, to be removed from distractions and work solely on artwork at all costs as though our lives depended on it. It can be intense but it’s imperative for our sanity.’

What (or who) inspires and influences you?
‘Prizme, Bataille, Jung, Rimbald, Maxine (current muse) and many more.’

What projects of yours should we look forward to?
‘I will be making more films, certainly. I have something very dear to my heart that I wish to work on with a very special muse. Film is something very difficult for me so its challenge draws me closer every day.

‘I also have a hugely exciting and ambitious project coming soon with Prizme. He will be taking a leading role and I will be his director as it were. I think it will be on kickstarter at the end of the year.’
We get attached to material things because they are what's tangible and visible. Whether we like it or not, we see someone else's face as we sift through the pages of an old book. We read the same set of words and they remind us something, or someone, whether we like it or not. Whether we intend to or not, we hear someone else's voice as we tinker with the lid of a cold coffee cup. We taste the same tinge of creme and it reminds us something, or someone, whether we intend to or not.

We hold on to the memories that we like, we choose them, and we keep them, intentionally or unintentionally, through the things that remind us of them.

And because all material things are ephemeral, we must find ways to keep those memories intact. We let go of what's surreal yet temporary and we settle with what's abstract yet real. These are the things that matter the most because they are what's impermeable and indissoluble.

I'm all sorts of sentimental, you see, but
I'm pretty sure I'll go permanent with you.
We went through our film photographs since the time we started seeing each other. I still couldn't believe that more than a year has passed already. We've had so many memories, good and bad, that go along with those pictures. More than a year is just more than a year but everything seems life-long already. What we have is far from forever but you just know it when you know it.

"Always look at the bigger picture." This is one of the countless life metaphors I've learned from him. No matter how mindful (and at times, mindless) we are with our actions and words, we still have our differences, and we clash. We argue. We fight, sometimes, about the most nonsensical things. But we need not crash. We go through unnecessary discussions, throw awful words at each other, until it comes to a point that we calm down and we just keep quiet. Because at the end of every argument, no matter how much we differ, we should look at things that matter the most: the bigger picture. We have each other and that's what really matters.


What else could I say? Our love's the bigger picture.

Erin Herøin

Every now and then, good people (who are also gifted with drawing skills) become extra good and take time to illustrate me. If I could return the favor, I would've done so but I really don't possess the genes for drawing (maybe in the next lifetime). Here's a collated bunch of my portraits illustrated into artworks by various artists and friends.


by Roachy (Ink vs. Paper), 2013

by Bijan Gorospe, 2013

by Rob Cham, 2012

by Bijan Gorospe, 2012

by Bijan Gorospe, 2011

by Bijan Gorospe, 2011

by Denver Garza, 2010

by Jimmy Hilaro, 2010

by Jane Rojas-Fortuna, 2010

by David Dell'oso, 2010

by Larry Cayco, 2010

by Monica Cope, 2010

by Chikay Jamorabon, 2010

by Maine Manalansan, 2010

by Lena Johnston, 2009

by Ayan Bundoc, 2009

by Roachy, 2009